This monotype series is inspired by the stark contrast between the waste washed up on the shores of the Dardanelles and the region’s crystal-clear waters. It also draws from the rich history of the nearby ancient archaeological sites of Troy and Assos, where treasures and artefacts are preserved and displayed for today’s visitors.
Aegean Polymer was developed during a short stay with dear friend and printmaker Asya Mediha in Çanakkale, Türkiye.
In an attempt to create an aesthetic experience out of these found objects, I researched how pieces of rope, single-use plastic cups, plastic bags, aluminum foil, and natural materials such as different types of seaweed can serve as templates and stamps in the printing process. Using this technique, it becomes hard to tell what is the human-made material, and what is the natural element.
The result is a series of unique, cyan-blue prints that are reminiscent of photocopies, cyanotypes, and forensic or documentary photography. It questions the impact of what humans are able to produce, what types of hand-made, crafted objects are considered valuable, and the cost on the environment.
Emilie Dewitte 